MKTG

Apr 19

(Source: jjjjjjjjjjohn, via gifselections)

(Source: 30000fps, via pavlovzz)

Apr 17

thecamhouston:

Edward Ruscha, Box Smashed Flat, 1961. Oil and ink on canvas, 70 1/2 x 48 inches.

thecamhouston:

Edward Ruscha, Box Smashed Flat, 1961. Oil and ink on canvas, 70 1/2 x 48 inches.


The Future is Stupid — Jenny Holzer, 2006

She was right!

The Future is Stupid — Jenny Holzer, 2006

She was right!

(Source: soulhospital, via seeintomyeyes)

thejogging:

Caulfield in 2014, 2014
Literary
╙

thejogging:

Caulfield in 2014, 2014

Literary

Apr 16

marissamayr:

Q1 2014 earnings webcast - here we come!

marissamayr:

Q1 2014 earnings webcast - here we come!

Apr 13


Matthew Shaw and William Trossell, the London-based duo known as ScanLAB Projects, continue to push the envelope of laser-scanning technology, producing visually stunning and conceptually intricate work that falls somewhere between art and practical surveying. Their work also bears an unexpected yet increasingly pronounced political dimension, as they have scanned concentration camp sites, designed insurgent objects for thwarting police laser scanners, and even point-mapped melting ice floes in the Arctic as part of a larger study of climate change. The results are astonishingly, almost hypnotically detailed, as in this cinematic fly-through of an outdoor festival, where we pass through tent walls and very nearly see recognizable expressions on participants’ faces. It’s as if the future of the motion picture might really be narrative holograms. Last week, Shaw and Trossell premiered a new project at London’s Surface Gallery, exploring where laser scanners glitch, skip, artifact, and scatter. Called Noise: Error in the Void, the show utilizes scanning data taken from two locations in Berlin, but—as the show’s title implies—it actually foregrounds all the errors, where the equipment went wrong: a world of “mistaken measurements, confused surfaces and misplaced three-dimensional reflections.”

(via BLDGBLOG: Romanticism of the Scanning Error)

Matthew Shaw and William Trossell, the London-based duo known as ScanLAB Projects, continue to push the envelope of laser-scanning technology, producing visually stunning and conceptually intricate work that falls somewhere between art and practical surveying.

Their work also bears an unexpected yet increasingly pronounced political dimension, as they have scanned concentration camp sites, designed insurgent objects for thwarting police laser scanners, and even point-mapped melting ice floes in the Arctic as part of a larger study of climate change. The results are astonishingly, almost hypnotically detailed, as in this cinematic fly-through of an outdoor festival, where we pass through tent walls and very nearly see recognizable expressions on participants’ faces. It’s as if the future of the motion picture might really be narrative holograms.

Last week, Shaw and Trossell premiered a new project at London’s Surface Gallery, exploring where laser scanners glitch, skip, artifact, and scatter. Called Noise: Error in the Void, the show utilizes scanning data taken from two locations in Berlin, but—as the show’s title implies—it actually foregrounds all the errors, where the equipment went wrong: a world of “mistaken measurements, confused surfaces and misplaced three-dimensional reflections.”

(via BLDGBLOG: Romanticism of the Scanning Error)

procrastinaut:

If I understand this correctly, what we have here is a line of security cameras that look like cute little animals.
(via Bem Legaus!: Bichos de segurança)

Previously: A Security Camera Worth Looking At.

procrastinaut:

If I understand this correctly, what we have here is a line of security cameras that look like cute little animals.

(via Bem Legaus!: Bichos de segurança)

Previously: A Security Camera Worth Looking At.

(via Labyrinthine Drawings of Interconnected Rooms by Mathew Borrett | Colossal)

(via Labyrinthine Drawings of Interconnected Rooms by Mathew Borrett | Colossal)

Apr 12

(via Aida Silvestri | i like this art)

(via Aida Silvestri | i like this art)

(via John Knuth | i like this art)

(via John Knuth | i like this art)

[video]

Apr 11

[video]

(Source: brianbrianbrianbrianbrianbrian, via grossnational)

headlikeanorange:

I thought this breed of cattle only lived in the Alps.

headlikeanorange:

I thought this breed of cattle only lived in the Alps.